sliver

Shimmer: Defining the Background

| ellenanneeddy

I have two quilts I’m finishing right now that you’ve been watching me work on. The threads I choose make all the difference in their background effects. Shinier threads will create a shimmer, a wet or wild area. Less shiny threads are more indicative of air or ground. I’m treating them with different threads and patterns to create a specific effect in each case.

For a very wet look, I’ll use Sliver and other flat threads. These really shine across the surface. I prefer them for either starry nights or for water.

The other thread I’m using is Madeira’s bug body thread, FS2/20. This amazing thread has a black core that gives it a very different texture. Zigzagged it does look like bugs. As a stipple it has a sharp look without the intense shine.

I consider both these threads incredibly beautiful and essential. But I use them very differently. Because they create an incredibly different texture. Why is that important? The texture defines the area for our eyes. Shiny thread will create that wet feeling. A sharp undefined metallic does excellent air or dirt, all defined in our thread choices, with no more work to it than that.

Green Heron Hunting is set with water, air, leaf, and ground elements. The air and the ground are very similar. I don’t want a soft look. It’s fall, so I want it to be crisp and textured. So I chose Sliver for my stream. But the ground area with the frogs and the leaf tree tops are stippled zigzag with the FS2/20. There’s a glint of metallic, but it’s different from the high sheen of the water and the eye separates them immediately.

For the air, I chose a driving straight stipple pattern to suggest wind. But I put in a repetitive garnet stitch in it to make it look more driven.

For Fishy Business, the background is all water. So I used Sliver-type threads exclusively. The very shimmery background contrasts highly with the completely poly-embroidered fish. They both shine, but in very different ways.

Your thread choices and stipple patterns define the background. Contrast is the key. If your background and images contrast each other, they will stay visually separate, and help your eye to see the separation.

If you’d like more information on stippling and threads, check out. Skimming the Surface: Bobbin Work as Stippling.

Iridescence: The Color That’s Not A Color

| ellenanneeddy

Color is a fickle subject. It is almost impossible to talk about because it’s completely visual. We can speak of it scientifically but that only gives us numbers. Those numbers mean nothing until we see the colors. The only have meaning in someone’s sight.

But we do know that colors relate to each other. The way we see them is in context with each other. The names we give colors mean very little. How they appear within the context of of the colors around them is what we respond to. Add to that, each of us see color differently. It’s experiential.

I’ve been working on this quilt quite a while. I stippled it this week with iridescent candlelight and sliver. When I got done, It glowed quite green. Both thread look white in the photo. They look white on the spool too. How could that be?

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Here is the Wikipedia definition of iridescence .

“Iridescence (also known as goniochromism) is the phenomenon of certain surfaces that appear to gradually change color as the angle of view or the angle of illumination changes. ….. It is often created by structural coloration (microstructures that interfere with light). “

Wikipedia defined iridescence as colors that shift and change across the surface of an object. An abalone shell is the perfect example of iridescence, although we also see it in beetles, soap bubbles, butterfly wings and oil slicks. Which may explain why I love all of those things. Its not a color. It’s a shifting of light.

When we start talking about iridescent thread, I found it was more a matter of advertising than of anything else. All kinds of threads were called iridescent. Most of them were pretty metallics in variant colors. Not anything like an abalone shell.

The fiber used is Lurex. It’s a plastic film that has that dance of color across it. Sliver is just the film itself. Candelight is a thicker thread with the Lurex twisted into it. Iridescence is not a color. But it reflects the color around it, shining in it’s own way.

That green glow starts to show it this photo. But like all art, photos never quite show what’s there. You need to see a piece in person, to watch it glow iridescently. The other colors around it bask in it’s light.

On another note, I am going in for surgery this next week. It may be a couple of weeks before I blog again. Please forgive me if it takes a while between posts here. I’ll be back as soon as I can.