Ressurections: When it Turns

Tomorrow I have my first sole artist showing in over 10 years, I’ve been working for this for 2 years.

Tomorrow I will be at the Galesburg Art Center for a sole artist Pop Up Sale. I’ll have threads, fabrics and quilts all on sale for the day. Out in public.

Sometimes your art is your life. Sometimes your life is your art. I’ve had many people tell me they weren’t an artist, or that they no longer could do their art. I did not understand that when I was younger. I leapt from one project to another, I lived and breathed dye and thread.

But it changed. At one point I was teaching more than I was showing. And that was an obsession too. I opened as many good doors as I could for the people in my classes. Demoed daily on unfamiliar machines. Learned to help people find their way to do what they were working towards.

And then it changed. There weren’t the same opportunities. The teaching slowed. And the passion for my work was gone. I sank into the sunset, learned to knit and crochet, Dealt with my far too worn knees.

It got kind of grim. There are times when your art is your life. But when it isn’t, you really do have to make your life an art. Find ways to feed your eye. Ways to make your heart beat. Allow things to go fallow, I wrote three books, which I believe have probably annoyed everyone who read them. Raised a garden and some neighbor kids. Kept a pack of greyhounds. And I pretty much stopped quilting.

That was when Don came into my life. I’ve never been a believer in love in terms of a noun. I believe it as a verb. It’s not a thing, that you own. It’s actions made on choice. It was an astonishment.

Alumni and Faculty Book Signing; Homecoming 2018

I knew Don at college. But I don’t think either of us knew each other at all. He stood by me as I got my knees fixed. Three knees later, he gave me his home as a studio. And came with me every day as I worked on one piece after another. He opened doors for me I thought were shut forever. I don’t have words for it, but thank you is a start.

When I announced this show, someone posted on the list that she hadn’t heard from me in years and she thought I was retired. I wrote her back that I hadn’t died yet.

It’s changed. I’m in that place where I can’t stop working. I’m on fire. There are resurrections. I’m still here.

I don’t remember who made the post. But I have some hopes for her.

I hope she has a passion that lights her life.
I hope that when her life changes, as life does, she finds good things that heal her heart. I hope she understands that she is a human being and not a human doing. That we all have times when we can produce things and times when we cannot.That there are ways back, not to where we were but to what is next.

I hope she gets a resurrection too.

Tomorrow, August 27th, I’ll be at the Galesburg Art Center, 341 East Main Street, in Galesburg, IL from 9:00 to 3:00. I desperately need to sell some things. I’m out of dye, steam a seam, fabric and steam. But being out of things means I working as hard as I can. I am so grateful. To be able again.

Splitting the sky: The Advantage of Split Light Sources

I don’t piece well. It’s not my skill. Anything that takes accuracy and careful cutting really isn’t my skill. The new 770 Bernina came with a foot that does make it better, but I don’t normally do large pieced tops. I know better. It’s not pretty when I do.

But there are rare occasions when I piece a split light source top.

Why? Why walk into accuracy land and piecing?

A light source brings you fabric with direction, and a built-in world. That world can be integral by itself. But if you want to filter the light as if it were through haze, woods, or shadow, you can piece two light source fabrics to create that shaded look. There are several approaches, with different effects.

Vertical Piecing

Where the Heart is

Where the Heart Is was pieced from two separate yards of the same blue/orange color range. I lay both pieces together on the cutting board and cut them in gradated strips, 2″, 3″, 4″, etc. Then I sewed them together with the narrowest light of one to the widest side of the other, in gradation. Set in a vertical arrangement, it makes for light flowing through the trees.

Horizontal Piecing with a Frame

Envy

Envy was one horizontal light source yard, split in gradations with a half yard cut in 2″ strips put between. The piecing creates a sense of space. The narrowest strip in the gradation defines the horizon line.

Piecing within Multiple Frames

Sometimes I split the two fabrics with the light at the widest on one side and the dark widest cut so they can carry the light across the piece. Twightlight Time was also double framed with a 2″ and a progressive border. Having a narrower border on the top weights the bottom of the piece.

Piecing Machines

Lately, Don found me a Singer 99 at a yard sale. For those of you not familiar with these darlings, they are a featherweight industrial drop-in bobbin Singer. They only straight stitch, but the stitch is impeccable. They are tougher, and faster and they use bobbins that are still commercially available. I’d never seen one before, but I fell in love instantly. It took a little work and some creative parts searching, but Don got it working for me and it’s perhaps the best piecing machine I’ve ever had. Did I mention Don is my hero?

So I pieced the guinea hen’s background on it.

How do you keep it straight? It’s tricky. If I get them out of order the fabric doesn’t progress correctly through its colors. I make all my cuts, leave the fabric on the cutting board until I can number the pieces all on the back side. Since there are two pieces of fabric cut, I label my fabric, 1a,2a, etc. and 1b, 2b, etc. and chalk in the sequence on the ends so I can always keep them in order.

Expanding Fabric Size

Sometimes there’s just a beautiful fabric that needs to be bigger. That’s been known to happen too.

I needed a background for What the Flock, a grouping of guinea hens. I’m low on fabric and money right now, so I have to make do. I found a purple piece that should make a great meadow, but a yard was just a bit small. So I pieced in another half-yard to expand it. I cut the half yard in 2.5″ widths and graded the yard-long piece in segments of 9″, 8″, 7″, 6″, and 5″,

Seam Rollers

For those of you like me, who hate to run back and forth to the iron, there is a seam roller. You can use this gadget to flatten your seams right where you’re sewing. Roll it over the seam and you’ll have flat, ready-to-sew seams without the iron woman run.


I don’t piece often, but these backgrounds are worth it. I love the shaded light and the action of light of the fabric across the piece.