dragonfly

Translucence: Making Stitchery Look Transparent

| ellenanneeddy

I’ve been rethinking how I usually make my dragonflies for my quilt Great Blue. I picked up some new research books and I was struck how very transparent and translucent their wings were. How could I do that?

Dissolvable stabilizer really is transparent and has that look. But it’s made to dissolve if it gets wet. I can’t promise that won’t ever happen. Humidity itself might dissolve the stabilizer.

I’m pretty sure Saran Wrap would tear. Sure enough not to try it.

I I have used organza or lace. It’s a neat look and I like it. But I wanted a more integrated stitched effect. I wanted them to appear to be see-through.

So I thought about it in terms of thread choices. I love Madeira Supertwist. It’s my go-to metallic thread. There are several color ranges. One range is of solid metallic colors. But one of the color ranges is opalescent and crystal. It’s translucent in itself. So I used it in the transparent part of the wings, and the metallic parts in the exoskeleton of the dragonflies.

It doesn’t look transparent exactly. It looks reflective, like glass or water. Not quite what I had in mind, but I think it does the job.

Here’s the difference. This bug is out of solid metallic thread. It makes a bolder statement, more like an exoskeleton than like see-through wings.

All stitchery is a gigo proposition. Good things in, Good things out. When you use excellent threads and get excellent although sometimes unexpected results. I’m going to try these crystalline threads in other ways where I want a translucent look.

Off the Grid: Experimenting Because You Can

| ellenanneeddy

9026-28 Artifacts, Dragonfly 2

It’s felt very odd not to be teaching on the road. My health has not permitted it, my husband has not encouraged it, and the demand is mostly gone. For a long while, I think my body decided it was a good time to sleep.

So the drive to create went on vacation until I was able to get out of bed. And the physical strength to work on large tapestries will have to be built up again. It’s a physical activity. It takes muscle.

So I’ve taken to playing with little things. I’m working on a project with Irish crochet in yarn. I’ll show you that later.

I’ve also been playing with oil stick rubbing.

 

866 Arabesque Rose

I know. I know. It’s not in vogue anymore. And it’s stinky. I know. I still think the look is amazing. I’ve been trying to incorporate it into quilts and have loved the look of it. It’s something structured in my very non-structured head.

I did a curtain of nothing but scraps of oil rubbed fabric. Then I started to think about what a small work would look like if that were the start.

 

 

 

 

920 Artifacts: Dragonfly 4

I stitched them with metallic thread to give them sparkle. They were beautiful but subtle. I don’t ordinarily do subtle.

So I added some neat brass findings, silk roses and novelty yarn. They were still subtle.

I worried about that for about three minutes and decided subtle might not be a bad thing.

919-18 Butterfly 2

So here they are. I’ve called the Artifacts, because I see them as found work rather than original embroidery. They’re sort of a collage in oil rubbing and stitching.

So let me know. What do you think? Every time you start an experiment, you have no idea where it might go.

These quilts are on sale in my etsy shop.