I’ve worked on cleaning up the studio over the last two days. Finishing The Garth left me done in a lot of ways. It’s hard to change gears and start something new. Usually I fish around for what’s left over from something else to make something new. It’s kind of like stone soup. You start something out of pretty much nothing and throw things in. It works for me. It isn’t often I start something out of complete nothing. There’s something left over, and it needs it’s own place.
You can really measure time in objects. Certainly you can measure time in work you’ve done. I was thinking about how my work has changed over the years. I’ve been quilting since I was 21. I’m 68. I have had time to see the art quilt movement start, grow, boom, explode, and retreat a bit . But if I’m honest about it, much of what I did was about the fabrics that were available to me. So I thought I’d look back at some of my work, and show where it shifted for me. Please forgive some of these photos for their size and detail. Some of them are quite old and out of my hands.
Solid colors:
I made my first quilts as bed quilts. I made them. We used them. They died, as most bed quilts do.
After that I fell in love with Amish quilts. That kind of stitching can only show up on solids. They arrived on the quilt scene around in the beginning 1980’s . Of course I couldn’t hand stitch them either. I was a dreadful hand quilter always. I worked with a walking foot and quilting by counting four stitches over for each row.
Hand Dyed Cotton
I’d been dyeing fabric since I was ten. But it was a game changer when I started treating dyed fabric with sponge painting. It gave me a light source within the quilt that I didn’t need to piece.
Sheer Fabrics:
I discovered sheers and laces as applique for translucent things like water, air, fire and flower petals. It gave me a way of layering things objects. It’s a cool trick and I still use it.
Weird brocades:
I first came into fancy brocades at the textile discount outlet in Chicago. But I’ve hunted them ever since. They make magnificent bugs.
Hand Dyed Cheesecloth:
Hand dyed cheesecloth makes a marvelous sheer. And It acts just like cotton because it is cotton. Here I used it to make mountains, but I’ve used it for flowers, mushrooms, rocks, and all kinds of things. The texture is cool too.
Oil Stick Rubbed Fabric
Oil Rubbed Fabric.
For as much as I avoided prints and textures, I’ve now fallen in love with the textures I can create with paint stick rubbed fabrics.
As I was cleaning out my studio I found all of these things. Some of them I use constantly. Some of them I see as a thing I outgrew a while ago. But art is not measured by our products. It’s measured by learned skill, new ideas and inspiration in use.
