found materials

Noncommercial: You Can’t Sell and Experiment

| ellenanneeddy

One of the nicest things about my new studio is that it’s set to produce supplies for just myself. For years I’ve dyed pearl cotton. It’s beautiful and as a mercerized cotton, the colors are spectacular. But if I wanted to sell it to students I had to standardize it. I never could take the time to try different kinds of threads that didn’t come in a dyer’s hank.

Why? What’s the difference? A dyer’s hank is simply a looped ring of thread. It’s easy to dye it evenly. A twisted ball is much easier to handle, but it can’t be dyed evenly. You can move one to the other. It just takes to stinking long to do it commercially. And it’s hard to make every skein even in yardage.

Hanked Thread

So now that I’m not making thread for the general public, I can really experiment with threads that aren’t in dyer’s hanks: Sashiki thread, cotton boucle, several sizes of weaver’s pearl cotton, cotton hemp, and cotton yarn. It’s a bit heady. I’ve been stuck with one cotton thick thread. But the world is wide.

In light of that, I bought two thread wranglers and I’m wondering where they’ve been all my life. These are tools weavers, knitters and spinners know well. But not every quilter works with them. Unless you need to deal with thread. Lots and lots of thread.

Swift and ball winder

I’ve worked with a swift before, but this is lighter weight and much less bulky. This is my first time with a ball winder. I’m in LOVE!.

My 27 yard hanks of pearl cotton wind into a ball like these.

  • dye hank
  • index card lable
  • yarn ball

The swift holds the hank, while the ball winder winds it into a tidy little pull skein ball. I’ve slipped a bit of cardboard through the hole to keep it from unraveling.

Later this week, I’ll be dyeing thread and fabric for the first time in the studio. I’ll keep you updated on how the new winding tools work with that.

Everything Old Is New Again: Hunting Aging Appliances

| ellenanneeddy

The appliances that worked for Gramma still make a dyer’s life so much easier!

My new old mangle

I’ve been dyeing fabric since I was ten. I’m about to be 67. With all of that you’d imagine something must be learned.

What I’ve come to understand is that natural fiber was the default in the fifties. There really wasn’t much else. That being said, the appliances that worked then are perfect for people working with natural fibers now. The irons, washing machines and clothes lines of that time are set at the correct defaults for people working with cotton, flax, wool, bamboo and rayon.

A mangle is a rotary iron with a heat shoe. I can iron fifty yards of fabric in two hours on a good mangle. It leaves fabric perfectly pressed without needing to use the dryer.

Ironrite Mangle #85

I love my mangles, even though they’re fragile. At 50 years plus everyone’s wiring frays a little bit. Here’s a video of me singing to my mangle

I had one in the studio in Porter. We’d worried about it being in cold storage. It seems to have held up, but we found one that had been safely stored in some nice lady’s basement. Unfortunately when we got home and plugged it in on Wednesday, it made a satisfying “pmoof” noise and blasted black power on the floor. Exit mangle two.

I went home with Don, devastated. Three hours later he plopped a picture for another mangle, on ebay. It came home yesterday and worked promptly and properly. I am thrilled!

After a while you start paying attention to the old companies. Whirlpool was also Kenmore. I had two Thor Gladirons (talk about Vikings). The new one is an Ironrite.

Is there a difference?

Turns out there really is. I have a link to their add video. It features a terrifying view of women and men of the 50s. But it may be the most goof proof mangle I’ve ever seen. The shoe is in a safer place and divided in the center. They showed a woman working on blindfolded. I think it might maybe be safe with this machine

Ironrite video

Where do you find a mangle? There is a new version from Miele that is astonishing in every way. Price too, but I suspect it’s very nice.

Miele Ironing system.

At current prices, I’ll probably never know. But the old ones exist, saved from attics and basements and estate sales. Make friends with the old appliance people. People downsizing their homes. Ask around. If you are dyeing fabric you need one of these. I certainly do.

I’m hoping on exercising this new beast after doing my first dye day at the studio. Do you need some hand dyed fabric for your inspiration. Call me (219-617- 2021) or email me and we can set up hand dyed fabric just for you, mangled to perfection!

Well, I’ll Be Dyed!

| ellenanneeddy
Three Point Landing

One of the not-so-secret elements of my work has been hand dyed fabric. I’ve dyed fabric literally since I was ten. I was working with melted crayons and Rit. The result almost made my father cry when he saw the midden in the sink, but I’ve been hooked ever since.

Why? Because nothing starts better original art than original art.

With the new studio in place, I’m ready to dye. Well, almost. We still need to freshen up the wringer washer and test the new mangle. But I have a dedicated kitchen space with a drain in the floor. What more could a girl want?

I put up Three Point Landing because it’s so dependent on the fabric. It’s a one piece background with around 15 colors in it. The colors make it all glow, sky, water and waterlily. The background, just one piece of fabric, makes it all happen.

When I dye fabric for a particular piece, I usually dye three pieces for the one I’ll use. One can be backing and one can be accessory, perhaps. But all three of them will be different in lovely amazing ways. And if I’m lucky, one will be just right.

Are there commercial fabrics like this? Somewhat. Caryl Bryer Fallert does a line of fabrics that simulated hand-dye quite well. But it’s reproduced. Which means it’s not a one of a kind.

I always have some really beautiful fabric that I don’t need to keep. I sold it in classes to students, because it’s cruel to tell them they can have results like yours without giving them similar supplies.

But there are always people who come back for hand dye. It’s beautiful, The colors are vivid. it’s needle ready, starched and shrunk, and no one has a piece just like yours. Each one is unique.

My first dye run will be naturally smaller than usual. But I am taking orders for people who would like fabric. Fabric is roughly 44″ wide, mercerized cotton. It comes in yard, half yard, and yard and a half lengths. I can either send an assorted box of fabric, or hand pick for you from what you tell me you want.

The fabric has a light source in it, usually. Built in sun or moon light spots that drive the visual action of your work from the start.

  • You can see the flower already started here.
  • Light pours through greenery

  • Greys from black
  • browns from complementary fabrics

Even blacks, greys and browns are vivid and exciting.

But if you ask me, I will dye what you want to your specs.

Fabric is $24 per yard. I ask that you buy at least $48 dollars worth of fabric. I do pack each box with an extra yard or two so you can pick and choose. You can send back what you don’t want. If you buy the whole box you get an extra half yard free.

I will have some extra fabric from the run, but I recommend that if you want fabric, email me or call me at 219-617-2021 and I will dye especially for your needs.

I expect to by dyeing around April 24th. Who wants fabric?

Off the Grid: Experimenting Because You Can

| ellenanneeddy

9026-28 Artifacts, Dragonfly 2

It’s felt very odd not to be teaching on the road. My health has not permitted it, my husband has not encouraged it, and the demand is mostly gone. For a long while, I think my body decided it was a good time to sleep.

So the drive to create went on vacation until I was able to get out of bed. And the physical strength to work on large tapestries will have to be built up again. It’s a physical activity. It takes muscle.

So I’ve taken to playing with little things. I’m working on a project with Irish crochet in yarn. I’ll show you that later.

I’ve also been playing with oil stick rubbing.

 

866 Arabesque Rose

I know. I know. It’s not in vogue anymore. And it’s stinky. I know. I still think the look is amazing. I’ve been trying to incorporate it into quilts and have loved the look of it. It’s something structured in my very non-structured head.

I did a curtain of nothing but scraps of oil rubbed fabric. Then I started to think about what a small work would look like if that were the start.

 

 

 

 

920 Artifacts: Dragonfly 4

I stitched them with metallic thread to give them sparkle. They were beautiful but subtle. I don’t ordinarily do subtle.

So I added some neat brass findings, silk roses and novelty yarn. They were still subtle.

I worried about that for about three minutes and decided subtle might not be a bad thing.

919-18 Butterfly 2

So here they are. I’ve called the Artifacts, because I see them as found work rather than original embroidery. They’re sort of a collage in oil rubbing and stitching.

So let me know. What do you think? Every time you start an experiment, you have no idea where it might go.

These quilts are on sale in my etsy shop.