Art Process

Color Theory: The Tug Across the Wheel

| ellenanneeddy

Knowing the definition of a word is a pinpoint on a map. It tells you where you are. It doesn’t tell you how to get where you want to go. It’s the rawest of beginnings.

In the same way, color theory feels like the the dreariest driest subject in the catalog of art education. We look at the wheel and say the canticle, red and blue make purple, red and yellow make orange…. It feels like a recitation from kindergarten. And sadder still, it’s not always true. We’ve all mixed yellow and blue to get the most grizzly browns. It feels like Santa Claus or the Easter Bunny. A nice story for children.

Part of what we’re missing with that is the reality that it’s a theory. It works, simply when it does work and when it doesn’t, we need to explore why. That’s mostly about imperfect color. Color me surprised. So many things are imperfect in a imperfect world.

But the real question is not where we are on the map but where can we go. What color theory really describes is the relationships between colors. Within the color wheel, the spots within that wheel define the same kinds of relationships between different colors. Those relationships go back to that primary list of monochromatic, complementary, and analogous color themes that seem so very dull. Because they define the tension between colors.

The distance between colors, creates the pull across the wheel. The closer they are to each other, the least pull. The least tension. The least excitement.

The farthest distance any color combination has is directly across from each other, as complements. Those are combinations that tug and pull and electrify us. Colors right on top of each other are smooth and slide into each other.

It’s not one combination. It’s a circle of combinations that create the same feeling. We can move the circle endlessly and get the same energetic result.

Daylily ?Dance

Daylily Dance goes all around the color circle with neutral gray blocks as an inner/outer framework. The relationship of each complementary pair, kicks it over the moon color wise.

How does that change in thread in stead of fabric? Fabric is macro. It’s large strokes of color. Thread gives us micro choices. But the relationships on the color wheel stay stable and chart our color choices. We know from where the colors are on the wheel, how they will make our art feel.

A Thousand Crayons: Color Theory For Thread

| ellenanneeddy
Moth made of zigzag freemotion zigzag applique

Zizgag applique is the fussiest thing I do. This is the most time consuming thing I do. Every so often I tell myself it’s too much work. It’s endless layers of stitching

So why do I always come back to it? I remind myself that nothing else looks like it. There are a number of reasons. Poly and rayon threads are incredibly beautiful. The grain of thread stitching leads itself to very tiny dashes of color that the eye blends on it’s own.

Eye of the moth’s wing

The process is one layer of color on top of another, in zigzag stitching. It takes forever.

The threads I’m using are a 40 or 30 weight thread. That means if you laid 40 threads side by side, they would measure one inch. They are very lightweight, but it allows us to stitch over and over the piece.

The thread color choices are almost unlimited. If feels like having a box of one thousand crayons. I actually added up what was on the chart of Madeira Poly Neon and found it was only 600. I don’t feel gypped.

Will other 40/30 weight threads work? Absolutely. Rayon too. I just wanted to show you how extensive the choices are.

Madeira Poly Neon thread. My favorite go to.

Color charts always amaze me. But they really don’t tell us very much. They’re raw material like a shopping list. What matters is what we do with them. The choice of thread colors is a lecture on it’s own. I’ll spend several blogs with you talking about why I use the colors I do and where. I’ll also give a short tutorial on zigzag embroidery, zoning a pattern, and placing it into a quilt.

‘Both owl and bug are zigzag embroidered applique in poly and rayon threads.

We’ll go behind the technique and explain the color choices in some future blogs. Follow along and I’ll show you what I can do with a thousand crayons.

Anonymous Was Who?

| ellenanneeddy
Beachcombers
Beachcombers

For heaven’s sake, sign your work!

I’ve told this story before. I worked with a gallery who thought it was to their interest to remove the labels from the backs of my quilts so no one would be able to contact me except through them. They did not tell me that.

What happened next they really couldn’t have predicted. Someone stole 7 of those quilts. It was ugly. I know who. And I was that willing to never see that person again, that I have resigned myself to never seeing them again.

Even if the thief dumped those quilts in a place where someone could find them, they’re like children traveling on a bus without a note pinned to their collar. Someone might recognize them. In the same way that we may have snow in July. Not likely. I’m resigned that these quilts are gone for good. They were my teachers, as all good quilts are. At some point, I’ve learned to let go of pieces and hold on to what I’ve learned.

Breaking the Ice
Breaking the Ice

Recently I was on facebook where someone posted about how they hate to sign their work.

My hackles raised. I climbed on that hobby horse and here I am! Sign your work!

Why?

Because your work is a measure of your life! It deserves documentation. It is a document in itself. Someone, your children if not your critics, will look at it and know you better. And find joy, and knowledge and power in what you did.

There is a book called Anonymous Was A Woman. This book, with all respect to the author, makes me furious.

It’s a lovely book and a real situation. Most women at some time have been only known as anonymous. It makes my blood boil. It’s a self inflicted nastiness. You can choose to be anonymous.

But why would you? Why would you silence your own voice? Why would you hide who you are? Who is served? Who is honored in that?

We are not anonymous. We are women making statements in our art and our lives that need to be heard, even if our statements are private and stay close to home. Not signing your work is an anonymous ransom note to the universe.

I now label all my quilts. And I sign and date them in the stippling. Someone will want to know. And I want them to know all about you and me and the things we made. And who we were. Sign your work.

Stippled signature
Damask Rose 911-20
Available on Etsy for Sale

It may be subtle, but the signature is in there, and they have to harm the quilt to remove it.

I also do an iron on label, computer printed from June Tabor’s Iron on Printer Fabric

This label has my name, the studio name, address and web site and phone number. The quilt number is the actual number of the quilt with the year it was made afterwards. There’s a space for me to sign the label when the quilt is sold.

Of course that can go wrong too.

Nothing is correct on this label at this time except the name of the quilt. Since the quilt itself is a document, I tend to leave them as they originally were made unless an owner asks for a label with their information on it.

Should you have a quilt of mine you want an updated label on, contact me and we will of course make one for it. Safety first.

Archival: The Drawings in the Pile

| ellenanneeddy
Fish drawing
Embroidered fish

For every embroidered creature in one of my quilts, there’s a drawing of that creature inside the quilt sandwich. I’ve always worked that way. The drawings are on Totally Stable, an iron on, tear away product by Pellon. I iron the drawing on to the back of the stabilizer and color it in with thread.

I wish I were good at drawing. I’m not. What I am is willing to do it over and over again until I have something I like. so there are piles of these drawings, some that get used and some that used to sit in a mesh laundry bin, mushed in with mountains of other drawings.

They weren’t bad drawings. Sometimes I’d pull them out and use them. They just weren’t drawings I’d used yet. But the mesh bag was a bit less than archival.

Today, Don unearthed his old file cabinet. Amazing! Flat storage!

I spent the rest of the studio day looking at old drawings that I’d saved, and gently folding them flat in preparation for being used.

It makes me wonder how much art we work on gets set aside, only to be mushed up, and forgotten. It makes me want to pay more attention to the side things that don’t quit work, just to see if they would work another time or in a different way.

Heron drawing

This heron needs some fineness. And perhaps a lot of thick thread. Now aren’t I glad I found her in the pile?

Noncommercial Part 2: What Are You Going to Do with All that Dyed Thread?

| ellenanneeddy

If you’ve been following my posts, you know I did some thread experiments on dye day.

Experiments are always just that. Might work, could work, did work, did not work. All information.

But I worked with threads that are NOT workable in a commercial teaching setting, largely because of the way they’re put up in manufacture. The best way to dye thread is in (reasonably enough) a dyers hank. That means it’s in a flat loop, usually confined by a paper label or by twisting into a skein. Do all threads come that way?

  • Sashiko thread
  • #3 pearl cotton
  • #20 pearl cotton
  • Frizzle
Definitely the weird stuff. But good though.

No. No they don’t. But since I’m not producing for class or for travel I can fuddle around with the weird stuff. The trick is to get it in the end into a form where you can get it on the machine. Between a ball winder and a swift I can hank up anything I like. (See Noncommercial blog post.)

Here’s some of what I tried.

# 20 Pearl cotton, dyed and undyed
Well, even I know that won’t work. But look at the colors. The thread and fabric are dyed from the same shades.

# 20 pearl cotton fits in the needle as well as the bobbin! Since the cone didn’t feed onto the machine I filled a bobbin for thread from the top.

I love the Frizzle I dyed!

Look at it as branches for a tree. I have the cotton string I dyed here too, but the frizzle definitely wins.

Do I love the new threads I dyed!
They are to dye for!

Will I experiment with new threads? Well there’s all that thread that didn’t arrive in time for dye day…. Stay tuned!

The Dance of Dye: Seeing Your Fabric Born

| ellenanneeddy

You’ll need to forgive the way I look. There’s nothing glamorous about dye day. Or really dye week. Prepping fabric, dyeing fabric, washing up, washing out and ironing are all really blue collar fun. You sweat and get messy. Never mind that I’ve missed my last three hair cuts.

My friend Lauren Strach used to come to visit, partially for dye day, but mostly for the day I ironed. Because that was the day the fabric came out of the mangle.

Hand dyed fabric is pretty. But like all of us, it likes to dress up. It’s nice hanging out to dry. But you really get to see it when it comes through the mangle, pressed, starched and pretty. It rolls out like a beautiful woman floating down a staircase.

Three pieces


Of course the real moment is when you get to see it with hand-dyed thread

Lauren is a fabulous fiber artist, who explores a number of styles, in amazing ways. You’ll find her work on Instagram.

I’ve been privileged to watch her work grow. And she would come and drool with me over the freshly ironed new hand dye. She lives in Oregon now, and I in Galesburg, IL and all of that would take a lot of arranging to do again. But I treasure the memory of watching her face as the fabric would roll out, pressed and precious. And the things she would do with it.

You’ll want to see more of Lauren’s work. It’s a journey in color, texture and joy.

You might ask why I was mangling in the garage instead of the new glorious studio! We had misbehaving mangles. Don found me a lovely mangle that lasted just long enough to blow black smoke and powder on the floor immediately after it was plugged in. We took it out and found that new amazing IronRight. It stopped opening and closing about five minutes in.

I had a long cry, and we waited a day to plug in my old mangle from Porter and she worked like a charm. You bet I sang to her!

This is Don companionably sitting on his mower in the garage while I ironed my fabric. He had to sit somewhere. Did I mention I really like being married?

I do dye fabric for others as well as myself. This was a good dye run, and People regularly ask me to dye what they want for a particular project. But I do have some fabric from the last dye run I would be willing to sell if there’s an interest. Contact me and I’ll set up a video phone conference if you wish to pick some out for yourself.

You can see the flower already started here.
ellenanneeddy@gmail.com
219-617-2021
1055 N. Farnham Street
true
Galesburg, IL 61401
USA

Noncommercial: You Can’t Sell and Experiment

| ellenanneeddy

One of the nicest things about my new studio is that it’s set to produce supplies for just myself. For years I’ve dyed pearl cotton. It’s beautiful and as a mercerized cotton, the colors are spectacular. But if I wanted to sell it to students I had to standardize it. I never could take the time to try different kinds of threads that didn’t come in a dyer’s hank.

Why? What’s the difference? A dyer’s hank is simply a looped ring of thread. It’s easy to dye it evenly. A twisted ball is much easier to handle, but it can’t be dyed evenly. You can move one to the other. It just takes to stinking long to do it commercially. And it’s hard to make every skein even in yardage.

Hanked Thread

So now that I’m not making thread for the general public, I can really experiment with threads that aren’t in dyer’s hanks: Sashiki thread, cotton boucle, several sizes of weaver’s pearl cotton, cotton hemp, and cotton yarn. It’s a bit heady. I’ve been stuck with one cotton thick thread. But the world is wide.

In light of that, I bought two thread wranglers and I’m wondering where they’ve been all my life. These are tools weavers, knitters and spinners know well. But not every quilter works with them. Unless you need to deal with thread. Lots and lots of thread.

Swift and ball winder

I’ve worked with a swift before, but this is lighter weight and much less bulky. This is my first time with a ball winder. I’m in LOVE!.

My 27 yard hanks of pearl cotton wind into a ball like these.

  • dye hank
  • index card lable
  • yarn ball

The swift holds the hank, while the ball winder winds it into a tidy little pull skein ball. I’ve slipped a bit of cardboard through the hole to keep it from unraveling.

Later this week, I’ll be dyeing thread and fabric for the first time in the studio. I’ll keep you updated on how the new winding tools work with that.

Everything Old Is New Again: Hunting Aging Appliances

| ellenanneeddy

The appliances that worked for Gramma still make a dyer’s life so much easier!

My new old mangle

I’ve been dyeing fabric since I was ten. I’m about to be 67. With all of that you’d imagine something must be learned.

What I’ve come to understand is that natural fiber was the default in the fifties. There really wasn’t much else. That being said, the appliances that worked then are perfect for people working with natural fibers now. The irons, washing machines and clothes lines of that time are set at the correct defaults for people working with cotton, flax, wool, bamboo and rayon.

A mangle is a rotary iron with a heat shoe. I can iron fifty yards of fabric in two hours on a good mangle. It leaves fabric perfectly pressed without needing to use the dryer.

Ironrite Mangle #85

I love my mangles, even though they’re fragile. At 50 years plus everyone’s wiring frays a little bit. Here’s a video of me singing to my mangle

I had one in the studio in Porter. We’d worried about it being in cold storage. It seems to have held up, but we found one that had been safely stored in some nice lady’s basement. Unfortunately when we got home and plugged it in on Wednesday, it made a satisfying “pmoof” noise and blasted black power on the floor. Exit mangle two.

I went home with Don, devastated. Three hours later he plopped a picture for another mangle, on ebay. It came home yesterday and worked promptly and properly. I am thrilled!

After a while you start paying attention to the old companies. Whirlpool was also Kenmore. I had two Thor Gladirons (talk about Vikings). The new one is an Ironrite.

Is there a difference?

Turns out there really is. I have a link to their add video. It features a terrifying view of women and men of the 50s. But it may be the most goof proof mangle I’ve ever seen. The shoe is in a safer place and divided in the center. They showed a woman working on blindfolded. I think it might maybe be safe with this machine

Ironrite video

Where do you find a mangle? There is a new version from Miele that is astonishing in every way. Price too, but I suspect it’s very nice.

Miele Ironing system.

At current prices, I’ll probably never know. But the old ones exist, saved from attics and basements and estate sales. Make friends with the old appliance people. People downsizing their homes. Ask around. If you are dyeing fabric you need one of these. I certainly do.

I’m hoping on exercising this new beast after doing my first dye day at the studio. Do you need some hand dyed fabric for your inspiration. Call me (219-617- 2021) or email me and we can set up hand dyed fabric just for you, mangled to perfection!

Well, I’ll Be Dyed!

| ellenanneeddy
Three Point Landing

One of the not-so-secret elements of my work has been hand dyed fabric. I’ve dyed fabric literally since I was ten. I was working with melted crayons and Rit. The result almost made my father cry when he saw the midden in the sink, but I’ve been hooked ever since.

Why? Because nothing starts better original art than original art.

With the new studio in place, I’m ready to dye. Well, almost. We still need to freshen up the wringer washer and test the new mangle. But I have a dedicated kitchen space with a drain in the floor. What more could a girl want?

I put up Three Point Landing because it’s so dependent on the fabric. It’s a one piece background with around 15 colors in it. The colors make it all glow, sky, water and waterlily. The background, just one piece of fabric, makes it all happen.

When I dye fabric for a particular piece, I usually dye three pieces for the one I’ll use. One can be backing and one can be accessory, perhaps. But all three of them will be different in lovely amazing ways. And if I’m lucky, one will be just right.

Are there commercial fabrics like this? Somewhat. Caryl Bryer Fallert does a line of fabrics that simulated hand-dye quite well. But it’s reproduced. Which means it’s not a one of a kind.

I always have some really beautiful fabric that I don’t need to keep. I sold it in classes to students, because it’s cruel to tell them they can have results like yours without giving them similar supplies.

But there are always people who come back for hand dye. It’s beautiful, The colors are vivid. it’s needle ready, starched and shrunk, and no one has a piece just like yours. Each one is unique.

My first dye run will be naturally smaller than usual. But I am taking orders for people who would like fabric. Fabric is roughly 44″ wide, mercerized cotton. It comes in yard, half yard, and yard and a half lengths. I can either send an assorted box of fabric, or hand pick for you from what you tell me you want.

The fabric has a light source in it, usually. Built in sun or moon light spots that drive the visual action of your work from the start.

  • You can see the flower already started here.
  • Light pours through greenery

  • Greys from black
  • browns from complementary fabrics

Even blacks, greys and browns are vivid and exciting.

But if you ask me, I will dye what you want to your specs.

Fabric is $24 per yard. I ask that you buy at least $48 dollars worth of fabric. I do pack each box with an extra yard or two so you can pick and choose. You can send back what you don’t want. If you buy the whole box you get an extra half yard free.

I will have some extra fabric from the run, but I recommend that if you want fabric, email me or call me at 219-617-2021 and I will dye especially for your needs.

I expect to by dyeing around April 24th. Who wants fabric?