Jellyfish: Three-d Transparency

After having worked for some while on Octopi Dance, I decided I needed jellyfish to add to the flow of the piece. If you’ve been reading this blog for a while, you know I’m obsessed with creating a visual path through each quilt as a significant design feature. That can be done a number of ways, either through the background, the flora around your subjects, or with smaller objects that the eye follows across the piece.

For the octopi, jellyfish were a simple choice. They float and can be pointed in any direction. And the purple, green, and iridescent qualities are perfect against all that hot yellow.

What I really wanted after all that very solid garnet stitching was something translucent. I can do that fairly with organza and lace. But if I glue organza to the background, the background becomes a major part of the jellyfish. Some of the transparency is lost.

So I decided to make jellyfish with only the organza on the back. There are several ways to do that. One is to use a dissolvable stabilizer.

Dissolvable stabilizer is usually made from some kind of starch. There are a lot of brands but there are really only two types. One is see-through, and one looks like paper. They both dissolve in water. The see-through variety is usually a topping, put over your piece so you can embroider details without having your foot caught in the textures. It can also be worked in a hoop. If you want more information about dissolvable stabilizers, Embroidery Online has a wonderful article about them here.

The paper varieties don’t dissolve quite as well, but they make a better stabilizer for embroidery. Since I didn’t want to fuss with a hoop this time, I used a paper dissolvable called Paper Solvy, available at Amazon. It comes in a pack of 8.5″ x 11″ sheets.

It’s hard to make a stable embroidery just out of thread. You have to be sure you’ve connected all of it to itself, or it will fall apart when you remove the stabilizer. So I glued the organza onto the stabilizer with Steam a Seam 2, partially for color and partially to make the pieces more stable.

You can’t stitch as closely with this stabilizer. It will either tear or jam or both. I also ran a straight stitch around the outside of the pieces and then stitched my zigzag stitch over it. That holds the piece together better after the stabilizer is removed.

There are some good and bad things about this stabilizer It did dissolve quite well. It stitched fairly well, although I had a lot more thread breakage. And one was not enough.

I tried one set with a sheet of Tear Away behind the Solvy, and had to tear away that background. Not recommended. It took forever and it tended to tear away the stitches as well.

I’m quite happy with the ones I did on two layers of Paper Solvy. They dissolved well and the stitching stayed mostly in place. They can join in the dance,

For more information on the visual path check out Building a Path.

The Variable Garnet Stitch: Building Texture

Last week’s octopi are growing. And the stitch to use for anything as lumpy and bumpy as an octopus is the garnet stitch. The fun thing is how many variations there are.

Reviewing Garnet Stitch

Garnet stitch is not a stitch on your machine. It’s working free-motion and moving your hands in circles. You can make all kinds of circles or half circles to different affect. It works either straight stitch or zigzag. It sounds simple.

It’s defined by how fast you move your hands, how large your circles are, and whether you let them overlap or not. The range of effects you can get is stunning. Visually it stands out like nothing else.

zoning

The first thing you do with a project such as this is zone it. Usually, I zone for color. With this project, I’ve zoned for texture as well. For working purposes, I marked the tentacles dark and light, since that was a major concern. Light tentacles are sucker side up. The suckers are different from the main surface, which is different from the eyes, and also different from the skin between the suckers and the main surface. The colors slide through a range between a bottle green and bright yellow, with blue and purple streaks. Nothing subtle here. But zoning my drawing helps me to know where my colors and textures need to be.

The suckers are a bull’s eye garnet stitch: dense stitching in a complete circle with no overlap, There’s a small rim garnet stitch in purple to punch out the suckers.

The general skin is an overlapping loose zigzag with layers of color on it. I’ve topped it off with a seed stitch to make it truly lumpy.

There’s a ridge over the edge where the suckers meet the main skin. I put a red violet edge of garnet stitch overlapping on one side to build the ruffle on.

The suckers seen from the side and the ruffle are pure zigzag stitching.

Finally, I stitched a large seed stitch across the skin to get that lumpy bumpy look.

Octopi are made for garnet stitch! Next week, jellyfish.